Pretty in Pinker
"Pretty in Pinker" is a job for Rioichi Cooper, Bentley and Murray in "Turning Japanese" of Sly Cooper: Thieves in Time.
Description
Steal Madame Geisha's outfit to use in an undercover operation.
Synopsis
From Bentley's observations, he finds out that El Jefe is coming out of his palace only to speak with Madame Geisha. To find out what El Jefe is telling her, they will need to impersonate her by stealing her costume. Geisha's costume is located inside her house, the front door of which is locked. Rioichi sneaks into the building through a hatch on the roof.
Inside, Rioichi spots the costume stored within a locked container. The container can be opened from the top, but its lock mechanism implies that it is opened remotely. Rioichi then makes his way through the Geisha House to find the control devices. He soon finds a terminal in one of the rooms. Bentley hacks into the terminal and is able to unlock the container. Rioichi makes his way back through and opens the container for Murray.
Murray lowers down on a wire, which Rioichi remarks on being too thin for Murray's size, to quietly steal Madame Geisha's costume. However, the wire snaps and Murray falls straight into the container. It collapses under Murray's force and the commotion from the destruction causes several guards to take notice and investigate what had happened. Murray, who is forced to test out the costume sooner than expected, put it on. When the guards begin to question the one responsible, then they see the supposed Madame Geisha.
Murray introduces himself to the guards and proceeds to start dancing in front of the guards. Although the guards are amazed and infatuated with Murray, Rioichi looks rather confused. Once he is done with his routine, Murray waves goodbye to the group of guards and left backstage.[1]
Trivia
- The title of this job is based on the 1986 American romantic comedy-drama, Pretty in Pink. The film itself was named after the song by the Psychedelic Furs.
- This job is similar to All Rolled Up! due to the dancing segment. The death line, "That was more like a belly FLOP!" (even though Murray did not belly dance) even returns.